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The demos submitted to the record company were recorded in a builders lock up amongst scaffold
the closing “KC Comes to Town” exhibits the sense of humor that made Subculture perfect touring companions for NOFX in the 80s
in this daily ritual of writing
We hear the sensuality of France in the ‘60’s when in swaggers a wink to ‘90s house music
Something even more digitally dismaying than the present perhaps
Les Rallizes Denudés – Blind Baby Has It's Mother's Eyes LP soul The demos submitted to the***Massive free from psych from the Japanese cult band, three long tracks almost approaching 55 minutes in pure controlled chaos. Formed by band leader Mizutani Takashi, their music remained remarkably familiar over the years, and is best described as high volume, raw lo fi repetitive feedback drenched guitar noise fests with nods in the direction of the Velvet Underground and Blues Creation .
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